In the candomblé cult an archetypal pantheon connects to percussion rhythms and coral singings in a unique and fascinating way. Koro contextualizes the music of candomblé with a new harmonic and sound wise environment. Samples of the original call- and response singings are placed in the centre of compositions and experience the listener the spirituality of the candomblé through a musical performance supported by digital visual art.
In many nature religions music functions as a medium to stabilize a connection to the divine and otherworldly. Koro focusses this connection between musical structure and spiritual patterns of behaviour in order to establish a deeper comprehension for musical performance within an extended concept of music. The extension consists of the interplay between artificially presented religious rituals, improvised sounding structures but also conventional composing techniques and provides an interactive access to Brazilian culture for performers and listeners.
Janco Boy Bystron, studied drums and percussion (jazz/rock/pop) at the Carl Maria von Weber Hochschule für Musik, Dresden, Germany. For his PhD in musicology, he focused on the musical culture of Brazil and published the results in Brasilianische Grooves (2018). With the exposition of macro- and microstructures in musical rhythm and their embedding in sociocultural practice and ways of thinking in modern societies he wants to contribute to a detailed reflection on motives for artistic activities and their reception.